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Ladies*dress UPDATED



In the next lines, she describes another contingent, those who go against the grain in a different way. These include women who do not act femininely and men who dress with the express purpose of attracting attention. These are youthful people who offend the speaker.




ladies*dress


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Wimbledon's dress code dictates that "white does not include off white or cream" and "a single trim of colour around the neckline and around the cuff of the sleeves is acceptable but must be no wider than one centimetre."


Australian player Daria Saville said she had altered her period specifically because of the tournament's dress code. "I myself had to skip my period around Wimbledon for the reason that I didn't want to worry about bleeding through, as we already have enough other stress," she told The Daily Aus.


Victorian dress reform was an objective of the Victorian dress reform movement (also known as the rational dress movement) of the middle and late Victorian era, led by various reformers who proposed, designed, and wore clothing considered more practical and comfortable than the fashions of the time.


Dress reformists were largely middle-class women involved in the first wave of feminism in the Western World, from the 1850s through the 1890s. The movement emerged in the Progressive Era along with calls for temperance, women's education, suffrage and moral purity. Dress reform called for emancipation from the "dictates of fashion", expressed a desire to "cover the limbs as well as the torso adequately," and promoted "rational dress".[1] The movement had its greatest success in the reform of women's undergarments, which could be modified without exposing the wearer to social ridicule. Dress reformers were also influential in persuading women to adopt simplified garments for athletic activities such as bicycling or swimming. The movement was much less concerned with men's clothing, although it initiated the widespread adoption of knitted wool union suits or long johns.


Fashion in the 1850s through the 1880s accented large crinolines, cumbersome bustles and padded busts with tiny waists laced into 'steam-moulded corsetry'.[4] 'Tight-lacing' became part of the corset controversy: dress reformists claimed that the corset was prompted by vanity and foolishness, and harmful to health. The reported health risks included damaged and rearranged internal organs, compromised fertility; weakness and general depletion of health. Those who were pro-corset argued that it was required for stylish dress and had its own unique pleasures.[citation needed] Eventually, the reformers' critique of the corset joined a throng of voices clamoring against tightlacing, which became gradually more common and extreme as the 19th century progressed.[citation needed] Preachers inveighed against tightlacing, doctors counseled patients against it and journalists wrote articles condemning the vanity and frivolity of women who would sacrifice their health for the sake of fashion.[citation needed] Whereas for many corseting was accepted as necessary for beauty, health, and an upright military-style posture, dress reformists viewed tightlacing as vain and, especially at the height of the era of Victorian morality, a sign of moral indecency.[citation needed]


American women active in the anti-slavery and temperance movements, having experience in public speaking and political agitation, demanded sensible clothing that would not restrict their movement.[5] While supporters of fashionable dress contended that corsets maintained an upright, 'good figure', as a necessary physical structure for moral and well-ordered society, these dress reformists contested that women's fashions were not only physically detrimental, but "the results of male conspiracy to make women subservient by cultivating them in slave psychology."[4][6] They believed a change in fashions could change the whole position of women, allowing for greater social mobility, independence from men and marriage, the ability to work for wages, as well as physical movement and comfort.[7]


It is not clear how many women, in either the Americas or on the Continent, wore these so-called "reform" bodices. However, contemporary portrait photography, fashion literature, and surviving examples of the undergarments themselves, all suggest that the corset was almost universal as daily wear by women and young ladies (and numerous fashionable men) throughout much of the 19th and early 20th centuries.


The most famous product of the dress reform era is the bloomer suit. In 1851, a New England temperance activist named Elizabeth Smith Miller (Libby Miller) adopted what she considered a more rational costume: loose trousers gathered at the ankles, like the trousers worn by Middle Eastern and Central Asian women, topped by a short dress or skirt and vest (waistcoat). She displayed her new clothing to temperance activist and suffragist Elizabeth Cady Stanton, who found it sensible and becoming, and adopted it immediately. In this garb, she visited yet another activist, Amelia Bloomer, the editor of the temperance magazine The Lily. Bloomer not only wore the costume, she promoted it enthusiastically in her magazine. More women wore the fashion and were promptly dubbed "Bloomers". A dress reform was supported by a campaign of the National Dress Reform Association, which was founded in 1856.[11]


In the 1870s, a largely English movement led by Mary Eliza Haweis sought dress reform to enhance and celebrate the natural shape of the body, preferring the looser lines of the medieval and renaissance eras. A historic nostalgia for more forgiving fashions, the aesthetic dress movement critiqued fashionable dress for its immovable shapes, and sought the 'fashioning and adorning of a robe' as tastefully complementary to the natural body.[16]


The style spread as an "anti-fashion" called Artistic dress in the 1860s in literary and artistic circles, died back in the 1870s, and reemerged as Aesthetic dress in the 1880s, where two of the main proponents were the writer Oscar Wilde and his wife Constance, both of whom gave lectures on the subject. In 1881 The Rational Dress Society was founded in London. The Society advocated divided skirts as a more practical form of clothing, but its president and co-founder, Lady Florence Harberton, went further - when cycling, she wore full 'Rational' dress, which was a shorter skirt worn over voluminous trousers.


The dress reform movement spread from the United States and Great Britain to the Nordic countries in the 1880s and from Germany to Austria and the Netherlands. The issue was internationally addressed at the International Congress for Women's Work and Women's Endeavors in Berlin 1896, in which Germany, America, Belgium, Denmark, England, Finland, Russia, Sweden, Switzerland and Hungary participated.[18]


In Denmark, the bloomer costume was adopted for girls' sports wear during ice skating already in the 1860s. While there were no separate dress reform societies founded in Denmark, the women's rights society Dansk Kvindesamfund actively addressed the issue under the influence of the Swedish Dress Reform Society in the 1880s; they published their own brochure, Om Sundheden og Kyindedraegten by J. Frisch, collaborated with Stockholm and Oslo with the design of reform costumes and the exposition of them, notably during the Nordic Exhibition of 1888.[19]


While there were no separate dress reform societies founded in Finland, the women's rights society Suomen Naisyhdistys actively addressed the issue under the influence of the Swedish Dress Reform Society in the 1880s; they held lectures in many Finnish cities, managed to have the reform costume accepted as sports wear in the girls' schools of the capital by 1887, and was awarded the grand silver medal for their reform costume for school girls in the exhibition of the Russian Hygienic Society in Saint Petersburg in 1893.[19]


There were no separate dress reform societies founded in France. While the issue was adopted and discussed by several of the existing French women's rights organisations, the issue was not given priority and it was not until the great enthusiasm for bicycling in France in the 1890s that women in general adopted the bloomer costume with trousers and no corsets as sports wear.[18]


Germany was a leading country of the dress reform in the 19th-century, as it was an integrated part of the great health reform movement Lebensreform, which spoke for a health reform in clothing for both women and men supported by medical professionals and scientists such as Gustav Jaeger and Heinrich Lahmann, and freedom from the corset and trousers for women was advocated for already.[18]


The women's movement, however, did not engage in the issue until after the International Women's Congress in Berlin in September 1896. Two weeks later the German dress reform association, Allgemeiner Verein zur Verbesserung der Frauenkleidung (General Association for the Improvement of Women's Clothing), was founded. Its first exhibition took place in April 1897 in Berlin. 35 manufacturers had submitted reform proposals. Since 1899 there was even a permanent exhibition in Berlin with examples of "improved women's clothing". Like their equivalents in Austria, the Netherlands and the Nordic countries, the German dress reform association focused on the reform of women's undergarments as the most realistic goal, mainly on corsets. The German movement managed to affect public opinion to such a degree that one of its leading figures, Minna Cauer, was able to report in 1907 that the German corset industry experienced hardships because of a drop in the use of corsets.[18]


In the Netherlands, interest for the issue was aroused after the foundation of a dress reform society in neighboring Germany, and in 1899 the Dutch dress reform society Veereeniging voor Verbetering van Vrouwenkleeding (V.v.V.v.V.).[18] The dress reform society held lectures, participated in exhibitions and worked with designed to produce a new fashion for women which could be not only attractive but also comfortable and healthy at the same time.[18] 041b061a72


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